The case studies of organizations helped one’s understanding of the identity of each organization and the practical aspects of the formation of the management and operation mechanisms for a curator’s contribution to the concretization of an organization’s distinctive character.
Curating in the current art scene has gone beyond the phase of the critical reception of art-historical knowledge produced in the West and is being done at the trans-local level at which the particularities of presently being produced contemporary artistic practices need to be circulated through foreign languages. Actual examples such as Museum as Hub were used to observe the possibility of discovering the solutions through which local languages could obtain universality within the institutions such as international exchange or overseas networking.