The fifth seminar examined the exhibitions organized by the independent curator Haeju Kim. As a practitioner of questions and ideas, the curator is always thinking about the different ways of solving the narrative, and encourages the spectrum of the various mediums of the artist. This seminar looked at the previous projects by Kim, and explored how she answers her own questions as a curator through visual art and performance.

1. The National Theater Company of Korea, THE WHALES-Time Diver (2013)
This exhibition reflects the organizer’s focus on the sense of “motion” in an exhibition. THE WHALES-Time Diver was organized to demonstrate the generation and development of events in the variable dimensions of a play theater, or in other words, the unfolding of time within a given space.

2. Palais de Tokyo Nouvelle Vagues, Memorial Park (2013)
This exhibition was based on the possibility of events, or a kind of performance, in language as a moving image combining visual art and performance. It aimed at removing monumental mechanisms and reviving every day and ahistorical memories. This exhibition transformed the exhibition space into a site, juxtaposing the process of recalling memory and the actual experience of events occurring through language.

3. Audio Visual Pavilion, Once is not enough (2014)
This exhibition began by questioning if a new production is always necessary in every exhibition. Art and reading took place simultaneously in the exhibition, where works produced in the past were recalled and juxtaposed with texts related to the work.

4. Frost Radio (2014)
Frost Radio was organized as an exhibition to break through given conditions. It was a pirate radio which broadcasted for only 123 hours of radio frequencies in specific regions of Seoul, such as the Mangwoori Cemetery and Geumho Redevelopment Region no. 20.

5. Nam June Paik Art Center, Choreography Society (2015)
This performance exhibition roots on the questions as to how the certain movements of our body are created in daily life, what it means to choreograph such individual/collective movements, and how we can create personal gestures and other collective movements.