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Past

Joo Yeon Park Echo of Echo Part I Apr.11.2013 ~ May.11.2013DOOSAN Gallery New York
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Echo of Echo Part I 썸네일
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Detour (and Double) 썸네일
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Restoration (pure sound) 썸네일
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There I - 썸네일
Blue Hours 썸네일
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Scaffolding 썸네일
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Helisinki / Amsterdam 썸네일
Summer Light 썸네일
Echo of Echo Part I
Joo Yeon Park

Echo of Echo Part I

2013

Installation View

Echo of Echo Part I Press Release Image

ECHO OF ECHO PT. I

 

 

 

JOO YEON PARK

 

 

 
April 11~May 11, 2013


Opening Reception: Thursday, April 11, 6~8PM

 

 

 


 
DOOSAN Gallery New York is pleased to present the first part of Joo Yeon Park’s solo exhibition Echo of Echo from April 11 to May 11, 2013. Echo in the exhibition title refers to the classical mythological figure in Ovid’s love tale of Narcissus and Echo in his Metamorphoses. Park’s fascination with the limits and potential of the mediated language of Echo’s repetition of Narcissus’s last words and the metamorphic materiality of Echo’s bones, which turned to rocks, is closely related to her exploration of the inscrutable movement of languages and their possible transfiguration.
 
The artist does not limit herself to a particular medium or a method of working, but her works in the past few years are largely of two types:  lens- and light-based artworks, such as film, photography, and slide projections; and writings that recall poetry and drama in their form. Movements between plural mediums, languages, and locations inform much of her work. Thus, among other, the black-and-white stereoscopic photographs of skies taken from airplanes between locations, part of an ongoing series, are doubled, inverted, and joined in pairs; typewritten texts on dictionary paper are duplicated by carbon copy paper inserted between pages; a found slide is simultaneously projected onto multiple surfaces such as a sheet of glass, a wall, and the abandoned concrete sculpture that she found when she moved into a new studio; a film shows a woman holding a piece of mirror reflecting the sunlight into the camera lens that is in a continuous repetition of appearance and disappearance; and unresolved disagreements between the artist (author) and the editor on her essay are suspended on underlines, recalling fragile scaffoldings of language architecture.  Even the two-part exhibition itself is a work of disjunctive movement: the second part, opening in Seoul in September, echoes the first part with a time delay.
 
During the exhibition, the artist’s writing that reconsiders the story of Narcissus and Echo will be reinterpreted as a sound score composed and performed by Ben Owen and Tucker Dulin.
 
Joo Yeon Park currently lives in Seoul and London. She studied at Goldsmiths and Royal Holloway, University of London. Her works have been the subject of exhibitions at institutions such as National Museum of Contemporary Art Korea (Seoul, Korea2011), Museum of Contemporary Art (Sydney, Australia, 2011), Los Angeles County Museum of Art (California, USA, 2009), Museum of Fine Arts (Houston, USA, 2009), ArtSonje Center, (Seoul, Korea, 2008), Rodin Gallery, Samsung Museum of Art (Seoul, Korea 2007), Platform Garanti Contemporary Art Center (Istanbul, Turkey, 2007), Akiyoshidai International Art Village (Japan, 2005), Festival Internationale di Rome, (Rome, Italy, 2005); Busan Biennale (Busan, Korea, 2006), Gwangju Biennale (Gwangju, Korea, 2004/2008), Access Artist Run Center (Vancouver, Canada, 2003) and Insa Art Space, Art Council Korea (Seoul, Korea, 2002/2008).

 

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