Jaye Rhee
Spring 2013 DOOSAN Residency New York Artist
2011 The 2nd Doosan Artist Award Recipient
2011 The 2nd Doosan Artist Award Recipient
| b. 1973 | |
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Education
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| 2009 | Skowhegan School of Painting and Sculpture, Skowhegan, MN, U.S.A |
| 2003 | MFA, School of The Art Institute of Chicago, Chicago, IL, U.S.A |
| 2001 | BFA, School of The Art Institute of Chicago, Chicago, IL, U.S.A |
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Solo Exhibition
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| 2013 | Gravity and Lightness, DOOSAN Gallery Seoul, Seoul, Korea |
| The Flesh and the Book, DOOSAN Gallery New York, New York, NY, U.S.A | |
| 2010 | And the Ship Sails on, Cais Gallery, Seoul, Korea |
| A Time Too Late, A Time Too Early, Stephan Stoyanov Gallery, New York, NY, U.S.A | |
| Hardboard Sky, Corridor Gallery, New York, NY, U.S.A | |
| 2009 | Now You See It, Now You Don't, KCCLA, Los Angeles, CA, U.S.A |
| 2007 | Le Vierge, le vivace et le bel aujourd' hui, Galerie Gana Beaubourg, Paris, France |
| When All the Lovers in the World Are on the Phone at Once, Gallery Factory, Seoul, Korea | |
| 2004 | Video Landscape: Real Fake, Chicago Cultural Center, Chicago, IL, U.S.A |
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Selected Group Exhibitions
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| 2012 | Hello, Stranger, The Korean Cultural Office, Sydney, Australia |
| Crying, Seasaw, Tear, Between: New Video, Norton Museum of Art, West Palm Beach, FL, U.S.A | |
| Screening : Roppongi Art Night, Mori Museum of Art, Tokyo, Japan | |
| Keeping it Real, CU Art Museum, Boulder, CO, U.S.A | |
| 2011 | Fabulous Opera, GYM Project, Seoul, Korea |
| Videosphere : A New Generation, Albright Knox, NY, U.S.A | |
| Crack of Image, Seoul Museum of Art, Seoul, Korea | |
| 2010 | Greening Green, Arko Art Center, Seoul, Korea |
| I Know What You Did Last Summer, St Cecilia, NY, U.S,A | |
| Shallow Grave, Rush Arts Gallery, NY, U.S.A | |
| 2009 | Facts & Faces, Media, Media, Queens Museum of Art, Queens, NY, U.S.A |
| USB, Seoul Arts Center, Seoul, Korea | |
| New York 9+1, Cais Gallery, Seoul, Korea | |
| Aljira Emerge10, Aljira contemporary, NJ, U.S.A | |
| Magnetic Power, Lee C Gallery, Seoul, Korea | |
| Queens International 4, Queens Museum of Art, Queens, NY, U.S.A | |
| Another Masterpiece, Gyeonggi Museum of Modern Art, Ansan, Korea | |
| 2008 | The Only Thing That I Believe, Kasia Kay Art Project, Chicago, IL, U.S.A |
| Course, Sepia Gallery/ Alkazi Collection, NY, U.S.A | |
| 2007 | Kobe Biennale, Kobe, Japan |
| Incarnation, Hammond Museum, North Salem, NY, U.S.A | |
| Seoul Six Ruminations on Recurrence, Sepia Gallery, NY, U.S.A | |
| 2006 | Open Studio, Ssamzie Art Space, Seoul, Korea |
| Asian Contemporary Art Week, Gallery Korea, NY, U.S.A | |
| Moving Time/Nam June Paik + 30 Int' l Video Artists, Gallery Korea, NY, U.S.A | |
| 2005 | From the Artist's Studio: Wish You Were Here, The Living Room, Miami, U.S.A |
| AIM 25, Bronx Museum, Bronx, NY, U.SA | |
| Counterpoise, White Box, NY, U.S.A | |
| Greatest Hits, Soap Factory, MN, U.S.A | |
| Blue, Gana Art Center, Seoul, Korea | |
| Portraits and Landscapes, Alternator Gallery, BC, Canada | |
| 2004 | Butternut Ink, Asian American Art Centre, New York, NY, U.S.A |
| 2003 | Perspective 2003, Ormeau Baths Gallery, Belfast, Ireland |
| Sweet Dreams (curated by Franklin Sirmans), Soap Factory, MN, U.S.A | |
| 2002 | Reconfiguring Pop, Gallery 2, Chicago, IL, U.S.A |
| 2001 | Art Windows, agnes b, Chicago, U.S.A |
| Screening, Paris Project Room, Paris, France | |
| 2000 | Nuees, Gallery St Eustache, Paris, France |
| Boutique de robe de Marie, SEche Art Project, Paris, France | |
| Literier, Gallery St Eustache, Paris, France | |
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Awards and Residencies
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| 2013 | DOOSAN Residency New York, New York, NY, U.S.A |
| 2012 | LMCC (Lower Manhattan Cultural Council) Swing Space Program, NY, U.S. |
| 2011 | DOOSAN Artist Award, Doosan Yongang Foundation, Seoul, Korea |
| 2010 | Franklin Furnace Fund, New York, NY, U.S.A |
| SEMA Young Artist Grant, Seoul Museum of art, Seoul, Korea | |
| Arts Council Korea Grant, Seoul, Korea | |
| 2009 | Palais de Tokyo Workshop Program, Paris, France |
| Gyeonggi Creation Center Pilot Program, Ansan, Korea | |
| Skowhegan School of Painting and Sculpture, New York, NY, U.S.A | |
| Arts Council Korea Grant, Seoul, Korea | |
| 2008 | Changdong International Artist Studio Program, Seoul, Korea |
| KAFA Award, Korea Arts Foundation of America, Los Angeles, U.S.A | |
| Aljira emerge, Aljira Center for Contemporary art, NY, U.S.A | |
| 2006 | Ssamzie Artspace Residency, Seoul, Korea |
| 2005 | Artist in Market Place program, Bronx Museum, NY |
| AHL Foundation Artists Award, New York, NY, U.S.A | |
| 2003 | Steve S. Kang Young Artists Fund, IL, U.S.A |
| 2002 | Steve S. Kang Young Artists Fund, IL, U.S.A |
| 2001 | James Nelson Foundation Fellowship, IL, U.S.A |
| Parsons Fellowship | |
| 1999 | Goat Island Summer Residency, Chicago, U.S.A |
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Publications / Reviews
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| Jan Sjostrom, "Norton's Budding Video Collections Exhibition Channels Meditative Harmony", Palm Beach Daily News, July 12 2012. | |
| Boran Kim, "Fabulous Opera" Exhibition Review, Art in Culture, October 2011 | |
| Bruce Adams, "Gallery View:Mediamania", Buffalo Spree, September 2011 | |
| Yehuda E. Safran, "Swan & Niagara" in Potlatch Issue #2, Graduate School of Architecture, Planning and Preservation at Columbia University, Fall 2011 | |
| Sooyoung Kim " 6 Curators & 12 Artists" Section, Art in Culture, January 2011 | |
| Jackson McDade, "Movement Here and There", Artslant, October 2010 http://www.artslant.com/ny/articles/show/19593ion | |
| Benjamin Genocchio, "A Decade of Emergence" The New York Times, August 28 2009 | |
| Woo-Je Sung, "Why the Swan Swims in a Bathhouse?". Wolgan Misool, May 2009. | |
| Jieun Kim, "Serious Humor, Earnest Reflection" Weekly Dong-A, April 1st 2009. | |
| Feature in "Inside Portfolio" Section, Art in Culture, February 2008. | |
| Han-Seung Ryu, Wolgan Misool, December 2007. | |
| Kyung Kim, "Let's pretend we're swans", Harper's BAZAAR November 2007 | |
| Benjamin Genocchio, "Korean Artist Mix, and Nature Mingles" The New York Times August 19 2007. | |
| Harry Perlmutter, "Moving Time" Art Asia Pacific.Elean or Hartney, "Introduction" in Eight Korean Artists, AHL Foundation, 2005. Agust | |
| Jeeyeon Kim, "Blue" in Gana Art, Gana Art Center, 2005. | |
| Lydia Yee, "Introduction" in AIM 25, The Bronx Museum, 2005. | |
| Carol Becker, "Intimate, Immediate, Spontaneous, Obvious Educating the Unknowing Mind" in Buddha Mind in 1959 | |
| Contemporary Art, The University of California Press, 2004. | |
| Michael Workman, "Crossing the Divide" in New City, October 28, 2004. | |
| Jessica Park, "Asian American Contemporary Art Now" in The Segye Times, November 2004. | |
| Karin Bamford, "Putting it all into Perspective" in Northern Ireland Visual Arts Forum, November 2003. | |
| Duncan Ross, "Belfast: Perspective 2003 at Ormeau Baths" Circa 106, Winter 2003. | |
| Ann Klefstad, "Sweet Dreams and Opposing the Opposition" at mnartists. org, October 2003. | |
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Collections
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| High Museum of Art, Atlanta, GA, U.S.A | |
| Albright Knox Art Gallery, Buffalo, NY, U.S.A | |
| Norton Museum of Art, Florida, U.S.A | |
| New York Public Library, NY, U.S.A | |
| Artist Book Collection at Museum of Modern Art, New York, NY, U.S.A | |
| Flaxman Library at the School of the Art Institute of Chicago, Chicago, U.S.A | |
| Gyeonggi Museum of Modern Art, Suwon, Korea | |
| Seoul Museum of Art, Seoul, Korea | |
| Ssamzie Collection, Seoul, Korea | |
| Various Private Collections | |
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Professional Activities
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| 2000~3 | Founding Member of The Spareroom, a Chicago-based Time Art Organization |